At the Panasonic Theatre, Toronto, Ont.
Written by Kevin Elyot
Directed by Joel Greenberg
Set and costumes by John Thompson
Lighting by Kimberly Purtell
Sound by Garth Helm
Cast: Tim Funnell
My Night With Reg is a delicate yet chilling play about the early days of the AIDS epidemic but is timeless because of its handling of male relationships. The production is stylish, beautifully acted and moving.
The Story. London, mid-1980s. Guy is having a flat-warming party (apartment-warming party to North Americans) to celebrate his new digs. He’s invited several old and new men friends. He met the older friends in school and has kept in touch intermittently. John is one old friend and Guy has secretly loved him all those years but didn’t dare tell him.
Guy is single, shy, accommodating to his friends and is the one person they all confide in. John is dashing, charming, rich and very popular. But not as popular as Reg seems to be. All the men in the play are gay and they all have Reg in common.
Over the course of the play there are at least two funerals. Lurking in the background is the spectre of AIDS, which is never mentioned. Because we come with the benefit of hindsight to My Night With Reg we know that the men who died, died of AIDS. Guy often expresses how well he takes care to protect himself. We know from what.
The Production. Everything about John Thompson’s set for Guy’s flat is tasteful, in muted colours. The sofa has two cushions arranged just so. The artwork is conservative and not raunchy. The bar is well stocked because Guy is having a party for friends he hasn’t seen in years. The terrace is being painted by a young fellah named Eric who wanders into and out of the action.
This is a play that can’t be rushed in its production. It is funny, perceptive, subtle and moving. It needs time to reveal the characters, their idiosyncrasies, their relationships to each other and their abundance of secrets.
Joel Greenberg’s direction is full of care and thought. No character is a stereotypical gay man. They are all true to themselves. There is confident affection as friends kiss hello and goodbye. Body language is expansive and joyous in many cases. The acting is superb. Jonathan Wilson creates Guy as a man of shy awkwardness, he is tentative in expressing how he feels, but pulls back when he senses he might embarrass himself. Wilson is a mass of ticks, smiles, shrugs and all consuming sweetness. Guy is the one character we root for from the get go because he’s such a mensch. One realizes how much Jonathan Wilson been missed on a Toronto stage because of this gracious performance.
Gray Powell as John is that dashing, confident man who could appeal to men and women. He has that devil may care attitude. He’s got money. He doesn’t worry about anything except hiding little details of his life from his friends and he handles that with an off-handed aplomb. And yet, you sense a deep sense of regret that he’s attracted to whom he’s attracted. They are all friends there and John really doesn’t want to hurt anybody. It’s just that he can’t help it. It’s a lovely performance of a man who is conflicted.
Jeff Miller plays Daniel with a hint of flamboyance that is more about a man who is confident to be himself, in the company of his friends, rather than a man showing off. Daniel is joyous in his relationship but full of angst that perhaps his lover is cheating, or that a friend of his is cheating with his lover. Daniel experiences a roller-coaster of emotions, and Jeff Miller is such a good actor, he makes the audience feel every plunge and swoop. The whole cast is superb.
Comment. While playwright Kevin Elyot was a prolific playwright and screenwriter, his 1994 breakout award-winning hit play was My Night With Reg. He writes about gay relationships and promiscuity in the age of AIDS. He is never judgemental. His writing is very funny, moving and almost poetic. At one of the funerals the lover of the recently departed says, “The smallest thing will make me miss him.” A feather of a line that pierces the heart.
My Night With Reg starts out to be a play about six friends in the early time of AIDS in London in the mid-1980s. But it develops into a play about relationships and the secrets, lies and hurts that develop when characters hide things from each other. That aspect of the play, the love these men have or had for each, other makes My Night With Reg timeless.
David Mirvish presents a Studio 180 production.
Opened: Feb. 14, 2017.
Closes: Feb. 26, 2017.
Cast: 6 men.
Running Time: 100 minutes, no intermission.